The Undrowned Child

Synopsis: It's the beginning of the 20th century; the age of scientific progress. But for Venice the future looks bleak. A conference of scientists assembles to address the problems, among whose delegates are the parents of twelve-year-old Teodora. Within days of her arrival, she is subsumed into the secret life of Venice: a world in which salty-tongued mermaids run subversive printing presses, ghosts good and bad patrol the streets and librarians turn fluidly into cats. A battle against forces determined to destroy the city once and for all quickly ensues. Only Teo, the undrowned child who survived a tragic accident as a baby, can go 'between the linings' to subvert evil and restore order.

Review: This is a great adventure book for young adults and for the most part really enjoyable. It's 1899, Teodora lives in Naples with her adoptive parents, she's always wanted to go to Venice but her parents have been reluctant to take her (I know the feeling, I couldn't get my parents to take me anywhere more exotic than the Isle of Wight!) but then fate intervenes. Venice has been engulfed in a wave of strange and sinister events for months and the 'worlds greatest scientists' have been summoned there in order to try and get to the bottom of it. It's a stroke of luck for Teo that her parent's are amongst the worlds greatest scientists because let's face it, they could have been the worlds greatest estate agents. They try and fob her off with talk of leaving her behind, they mention schoolwork etc but it's to no avail, Teo is determined.

Venice is such a magical city that just to have the place described in all it's glory is entrancing, you can imagine all sorts of adventures happening there. It's everything that Teo has imagined and more, her favourite place is a dusty old bookshop and this is where all the excitement begins. She's rummaging around on the shelves, when a book falls and knocks her senseless. There are a few strange things about this book 1) It has no title 2) It has a pearly, fishy smell 3) It has a picture on the front of a girl, and she appears to wink at Teo 4) When examined in more detail later, the book has the following inscription on it's inside cover ...

'Welcome to Venice, Teodora-of-Sad-Memory. We have been waiting for you for a very long time'

... very odd!

The book, also known as 'The Key to the Secret City,' sets in motion a thrilling chain of events. To begin with Teo goes 'in between the linings' which means she is entirely invisible to adults. This of course sounds marvellous but in actuality is terrible, firstly she wasn't sure she was alive (until she found out that children could see her) and secondly her poor parents almost went out of their heads believing her to be missing for days and days. She soon meets her partner in crime Renzo .. or the 'Studious Son' as he is also also called. He dislikes and mistrusts her on sight, he knows (or believes) she is a Napoletana and therefore his deadly enemy. He doesn't think she should have the book, he thinks he should have it. They fight and argue but trials and troubles bring them closer together and by the end they are as thick as thieves. Also, amongst the 'goodies' are a bunch (I'm sure that's not the collective noun) of mermaids. Fairly conventional in looks, but fairly salty in language (having learnt a lot of it from sailor's). They say stuff like 'What a drivelswagger! Drags on like a sea cow's saliva!' and they eat curries. It's the mermaids that first call Teo the 'Undrowned Child' and this name relates back to an incident that happened in Venice some 11 years before .. something that we read about in the prologue and also in a verse that appears magically in the 'The Key to the Secret City' ...

'Where's our Studious Son? Who's our Lost Daughter,
Our Undrowned Child plucked from the water,
Who shall save us from a Traitor's tortures?
That secret's hidden in the old Bone orchard.'

The main 'baddie' is Bajamonte Tiepolo or 'Il Traditore' as he is also known, a man who actually did live in Venice in the 1300's. He had tried to destroy the Republic of Venice and kill the Doge, but was unsuccessful. He was believed to have died in exile but the fictionalised account here says that he was captured, murdered and thrown into the lagoon. Unfortunately, he's not resting in peace, he want's revenge, and if his disembodied spirit can find his bones .. with a bit of help from some 'baddened magic' he'll be back to full strength. Of course it is Teo and Renzo's job to stop him and mayhem ensues.

Towards the end I found it all a bit hectic and there were too many similarities with other fantasy books for me to entirely believe in the plot. Baddies that made the air chill, maps with tiny moving footprints, an upturned turtle shell where the past could be viewed, Venetian treacle which was a kind of cure-all rather like Lucy's vial in Narnia and a baddie needing bones and a spell to become whole again. There were books in the bookshop that would have been right at home in Flourish and Blotts ...

'Smooth as a Weasel and Twice as Slippery' by Arnon Rodent

'Lagoon Creatures - Nice or Nasty?' by Professor Marin

'The Best Ways With Wayward Ghosts' by 'One Who Consorts with Them'

.... and a cat that transfigures into a lady. But then they may not have been original ideas when I read them in other books and in any case the book is not really aimed at me, perhaps age has made me cynical. It's certainly not a book that is just a re-hash of past stories though, there are lots of new ideas here and placing all the action in Venice makes it extra exciting, sharks swim down the canals, stone statues come to life and as the city falls under the grip of 'Il Traditore' it begins to revert back to the 1300's with the buildings crumbling and the paintwork falling off in great scabs revealing the stonework underneath.

A story that I'm sure most 9-12 year olds would love, especially girls or anyone that loves reading about Venice.